editor and reporter at New Scientist. He won the 2015 British Psychological Society Prize for The Power of Others. Until recently, he taught writing as a Royal Literary Fund Fellow at Oxford Brookes University.
Bond applied the "Page 99 Test" to his new book, Animate: How Animals Shape the Human Mind, with the following results:
If a reader parachuted onto page 99 of Animate they'd find themselves in a discussion of the fantastical animals in C. S. Lewis’s The Chronicles of Narnia – the centaurs, satyrs, fauns, marsh-wiggles, unicorns and dragons that have captivated children for generations – beneath an illustration of strange humanesque figures. Since the book is not specifically about children, fictionalised animals or C. S. Lewis, this is not the ideal place to land. It would take a leap of deduction to figure out that Animate is an exploration of human-animal relationships and how they have changed over 40,000 years. Nonetheless, page 99 is part of a chapter that describes an important part of this thesis: the idea that the creative arts is one of the few areas where people have tested human-animal relationships without fear, where mythological beasts are free to roam and the many attributes that we share with animals are examined and celebrated. So we can say that the parachutist lands close but perhaps not close enough. Or we could take a slightly different approach, noting that Ford Madox Ford talked of page 99 revealing "the quality of the whole”, rather than the sense of it. If you landed among the water-spirits and shape-shifting witches of page 99, would you want to read on? I hope so.Visit Michael Bond's website.
--Marshal Zeringue









