Zubrzycki applied the “Page 99 Test” to Empire of Enchantment and reported the following:
One of Harry Houdini's signature acts was being buried alive or being placed in an airtight casket that was submerged in a swimming pool. Such acts were all the rage in the 1920s and 30s and still find their way into the performances of magicians such as David Blaine. The origin of live burial can be traced back to the feats of yogis and 'fakirs' in India. Page 99 contains the final part of an account by the British resident in Ludhiana, Sir Claude Wade, who was present when a sadhu was revived after being buried alive for forty days. There are numerous descriptions of such practices in colonial records, often presented as proof of the deviousness of the 'native subjects' as in the case of a 'miracle monger' who pretended to be buried but in fact had access to a secret passage that allowed him to escape his entombment. My book tells the story of how Indian magic influenced not just the styles and performances of Western magicians but also popular culture. In his book Dracula, Bram Stoker compares the ability of the vampire to slip out of a locked tomb with the powers of India’s wonder-workers, who can be buried for months at a time and then "rise up and walk amongst them as before". This page is part of a chapter entitled "A Bed of Nails" which looks at how religious ascetics known for their austerities and sanctity, compete with the magicians whose powers are supposedly derived from the same sacred source. The overlap between magic that is both sacred and profane is a feature of India's magical traditions.Visit John Zubrzycki's website.
Writers Read: John Zubrzycki.
--Marshal Zeringue