(1993) and A History of Film (seventh edition, 2010). She applied the “Page 99 Test” to her new book, Hollywood's Artists: The Directors Guild of America and the Construction of Authorship, and reported the following:
Hollywood’s Artists: The Directors Guild of America and the Construction of Authorship examines the way in which the DGA has helped to shape the belief that directors are the singular authors responsible for the artistry of Hollywood movies. Page 99 is part of a chapter that elucidates a corollary of this thesis by exploring the way in which the DGA’s mission was elaborated during the years in which the House UnAmerican Activities Committee directed its gaze on Hollywood. During a famous meeting in 1950 that had been sparked by a proposal to have every DGA member sign an oath of loyalty to the US government, Guild members asserted their claim to be the kind of artists who were also manly patriots.Learn more about Hollywood's Artists at the Columbia University Press website.
Taken as a whole, Hollywood’s Artists traces the way in which the DGA has placed its creative rights mission at the center of its agenda in order to further the ambitions of its members to make themselves into artists. Throughout its history, the Guild has gained ever-greater creative control over production and credits, building on trends within the film industry and in the larger culture to achieve its goals. The group faced special challenges to this mission when television and newer media platforms posed different models of authorship. Another challenge emerged when the Guild attempted to assert ownership rights for directors as they exist in continental Europe, a project that was destined for failure in the USA.
--Marshal Zeringue
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